First, a large thank-you to Click Communications for doing the legwork on this function. I love publishing slidemirrors, but they’re a bit of occupational to put together, so I constantly appreciate it once the PR providers do the job-related for us!

In anticipation of the June 11, 2013 release of Disney’s “Oz the Great and also Powerful” on Blu-ray Combo Pack, here’s a look at the costumes of the film (review my review here).

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From idea sketches to on-set images of the final designs, in addition to a feature explaining the motivation and tough occupational that got in these costumes, go behind the curtain with costume designers Gary Jones and Michael Kutsch and find out what Michelle Williams, Mila Kunis, Rachel Weisz and also James Franco assumed about their characters’ costumes.

Costume designers Gary Jones and also Michael Kutsche designed, created and assembled almost 2,000 costumes for “Oz The Great and also Powerful.” Working on all sorts of personalities from Witches to Munchkins to Quadlings and also Tinkers, the two costume developers came up through one-of-a-kind looks for all the fascinating and distinctive citizens of the Land also of Oz.

But market veteran Gary Jones is not a stranger to the costume requirements of significant films. He rejoined through director Sam Raimi for “Oz The Great and also Powerful,” after having designed the wardrobe for Raimi’s “Spider-Man 2.” In enhancement to his continuing association through Raimi, Jones has actually delighted in collaborations via such distinguimelted filmdevices as Garry Marshall (seven movies, including “Valentine’s Day” “New Year’s Eve,” ”The Other Sister,” “The Princess Diaries,” ”The Princess Diaries 2: Royal Engagement,” ”Raising Helen” and “Georgia Rule”), Brian De Palma (“Dressed to Kill”), Louis Malle (“Vanya on 42nd Street”), Sidney Lumet (“Guilty As Sin,” “A Stranger Among Us”), Peter Weir (“The Mosquito Coast”) and Alan J. Pakula (“Consenting Adults”).

Costume and character designer Michael Kutsche is an award-winning German artist that functions both in typical and digital media. Kutsche’s unique method to imagiindigenous character production led him to end up being a character designer for Tim Burton’s “Alice in Wonderland also,” his first movie experience. Kutsche has since designed characters for Disney’s “John Carter,” directed by Anattracted Stanton, and “Thor,” directed by Kenneth Branagh, and “Robopocalypse,” directed by Stalso Spielberg.

Director Sam Raimi discovered Kutsche’s superior costume architecture abilities while he was originating characters for the film. Kutsche’s extrasimple talent and also approach to the film’s wardrobe resulted in his extra teamwork as one of the project’s 2 costume designers.

“Michael’s illustrations shown characters in their costumes playing a minute from the image, and also they were great,” claims Raimi. “Right off the bat, he had actually a vision for the image that fit in via Robert’s atmosphere. Like Robert, he’s a visionary and his characters really sprang to life out of those drawings.”

Kutsche tasked himself through reflecting the atmosphere of the characters in the costumes he designed for “Oz The Great and Powerful.” He took catalyst from the sets designed by production designer Robert Stromberg. “I think that the many necessary point for me was that the costumes weren’t just floating over, yet actually part of this world,” comments Kutsche. “Rob’s illustrations and the illustrations from the Art Department really were a great beginning suggest bereason they currently had actually put some extremely distinctive language into them.”

Kutsche started his procedure by drawing “a pair of peras of little bit pencil sketches,” mirroring just how he viewed the character to look, provided his or her atmosphere, personality and social condition. Once he locked in the specific form and architecture, Kutsche developed an inked version of the sketch, which he scanned right into his computer system. Once it was living in his computer system, Kutsche could colorize the sketch and also create material and detailed costume detailing.

Gary Jones and Kutsche had a number of discussions about the costume illustrations and also what products the costumes could ultimately be made of. Kutsche had actually incredibly clear ideas about just how he wanted to portray the personalities and what specificity there would be to their costumes. It was approximately Jones to flesh these principles out literally and figuratively. About the procedure, Jones says, “In many kind of situations, Michael’s drawings did dictate what the feeling essential to be, however we had actually to go on a real search to uncover the best aspect and the way to carry out it. That was an excellent adventure.”

He adds, “We ultimately published fabrics, beaded fabrics and manipulated fabrics to make it individual and various. Although many kind of of the points are not literally various, they show up to be. So, that’s type of interesting.”



Costume designer Gary Jones worked very closely with both director Sam Raimi and actor James Franco to conceive the look of Osauto Diggs a.k.a. Oz, saying, “In preparing Oz’s garments, Sam had actually an extremely clear idea what he wanted. I had actually met through James also, and we were all heading in the same direction, which was fantastic.”

Jones’ research study for Franco’s tailoring took him on a journey that had nostalgic meaning for the veteran costumer, that has a background via Ringling Bros. “Our story begins in a circus, which is the a lot of period-precise part of the film,” the longtime designer states. “We researched every little thing from the largest circus to the pooremainder, the majority of downtrodden carnival entertainers from the turn-of-the-century to the Dust Bowl. We extended the duration in between 1880-1930 in our research study. Having functioned via the Ringling Bros. circus was an added joy bereason I loved that suffer. So, to have actually one more moment with a circus was really wonderful for me.”

With motivation and some vintage photos in hand, Jones met Franco in a SoHo coffee shop in New York, wright here he mutual the photos he had actually lugged from the turn-of-the-century. Some were of Alexander Graham Bell, some of the Wbest Brothers — all world that L. Frank Baum had admired.

“Those were things that we started through and that’s how we acquired to Oz’s final wardrobe style — a babsence cutameans suit from the turn-of-the-century, which I am exceptionally proud to have designed,” Jones concludes.

Franco, commenting on his costume, states, “I only have actually one look in this film, a three-piece suit that Oz wears in Kansas. I think it’s safe to say that that was my favorite outfit in the film! Knowing that world dressed really well in the old days, I enjoyed wearing that three-piece suit fairly a little bit.”


There are 3 exceptionally distinct witches in the film, Evanora, Theodora and Glinda, that had to be costumed to reflect not only their personalities however their surroundings, as well.

In developing the look of the sisters Evanora and also Theodora, Kutsche says, “I can make a fresh begin with the personalities by looking at Rob’s job-related and also how he imagined the world of Oz. I provided this to increate the costumes, bereason tbelow was a details logic to his deindicators that I wanted to reflect in my illustrations.”

“For Evanora, the ruler of Emerald City, the founding allude was looking at the style of the city,” Kutsche states. “I really wanted her to not just be some perchild in this place, however to actually be this place. The form and shade of her wardrobe actually reflect the style and feel of Emerald City, which was Art Deco motivated. So, by resembling and also showing that, I could make her more of a mighty being that stands out against all the various other citizens, and the various other witches, also.”

Commenting on the costume for her character Evanora, Rachel Weisz says, “I wear a green dress pretty a lot all the time. It is slightly aggressive, bereason I’m sort of the armed forces leader of Emerald City, too.”

Once Kutsche had actually sculpted the characters’ looks in a two-dimensional sketch, costumer Jones started his procedure of bringing the illustrations to life through the favored fabrics. “With Evanora, we took a little detour towards the Duchess of Windsor for a moment, and then came back to Michael’s drawings because of the iconic silhouette that you must balance the sets and scenery,” comments Jones.

In specifying the pair of opposing enchantresses (Evanora and Glinda) via wardrobe design, costumer Jones defines his approach: “The witches are exceptionally plainly light and dark, to contrast great and also evil. We supplied a mercury green shade, all having actually to carry out via Robert’s Emerald City design, to portray Evanora. Glinda, of course, is basically a white, pristine type of girl in the story, and we produced three various white dresses or gowns for Michelle’s character.”

Michelle Williams preferred the transitions that Glinda’s costuming took during the course of the story. She states, “When we initially fulfill Glinda, she’s even more demure, cloaked in these exceptionally breakable fabrics. Then, as the battle dawns, she has actually a wardrobe readjust and accordingly suits up in somepoint that is tougher, favor fairy-princess armor.”

When we initially meet Evanora’s little bit sister, the bewitchingly beautiful and breakable Theodora, she is wearing a Victorian-styled riding outfit, through a large-brimmed red velvet hat that Kutsche devised when he sat dvery own to offer life to the character in his concept sketch.

“Theodora in her riding outfit is just how we first accomplish her in the film,” Kutsche says. “Tright here was a tiny engraving in the manuscript about her wearing pants and having a white blouse. Other than that, I could occupational freely on the character’s look.”

“It’s in a fantasy civilization while still being a period item in a way,” the illustrator/designer uses. “So, I looked at fashion about 1900 as soon as they had actually some pretty crazy hats. Theodora’s look is nearly like a patchoccupational of various periods that makes it look prefer no distinctive period. And that’s what I guess offers it this slightly fantastical feel.”

In comparing the sister witches Evanora and also Theodora, costume designer Jones says that “among the initially times that the personalities appeared together, you realize that they perform have actually similarities in the reduced of their apparel, however not at all in the feeling of the clothing. They’re 2 completely different civilizations. Mila’s Theodora is a little more on the sporty, physical side, while Rachel’s costumes for Evanora are a little even more of a reigning empress.”

“Theodora has 3 costume transforms,” Jones states. “The first one is the riding costume which is as soon as we initially satisfy her. In my opinion, a beautiful costume, beautifully structured through a hint of modern pizzazz. A significant, handsome velvet riding hat, a red coat, black riding breeches and a white blousage. All incredibly beautiful via a sense of the pastoral fun of the eighteenth century one can find in a Fragonard painting.”

“The character goes via transformations via her costumes,” Kunis remarks. “When you accomplish her, she’s exceptionally demure, incredibly quiet, extremely sweet. She falls in love with Osauto and also as soon as you following watch her, she’s in this significant, beautiful sphere gvery own.”


In addition to the primary actors, Jones and also his staff of 60 costumers, seamstresses, textile artists, dyers and agers additionally developed the apparel for all the varied inhabitants of Oz, such as Quadlings, Munchkins, Tinkers, Emerald City citizens and Winkies.

In devising the shape and also color palette to best reflect and also specify these assorted Ozians (the majority of of whom were extras through no dialogue), Gary Jones decided to characterize the mood of these divergent teams through their clothing. Before placing thcheck out to needle or dye to cloth, the Oscar-nominated designer and also his key collaborators (assistant developers Jessica Peel-Scott and also Gali Noy and also wardrobe supervisor John Casey) spent hours rebrowsing fashion fads from assorted durations. As Jones defines, “We needed to create the human being that these personalities live in, a lot as Robert Stromberg did through his sets.”

“While our study was concentrated on the turn of the 20th century,” Jones relates, “our costume deindicators came from both that historic point-of-see while showing an extra modern style, a fashion point-of-view having to do via what our eye sees this day, in 2013, as fashionable and attractive.”

In Glinda’s people, that of the Quadlings and also Munchkins, these are the happy human being of Oz,” Jones says in describing the mood of the occupants and how that guided his choice of wardrobe colors. “They’re butchers, bakers, and also the prefer, that toil in the normal methods of life. A quite happy, basic team of folks, that we identified via bappropriate colors and pretty clothing. To contrast that, in Emerald City, we’re confronted through human being that are doing job-related under duress, under the thumb of the wicked Evanora.”

“Therefore a little even more repressed, even more buttoned up,” he proceeds. “So, we made their garments in solid, jewel-tone colors however in an extremely formal and stylized way. Of course, with a tiny hint of extra green bereason of Emerald City. And the even more ominous blacks and grays also to portray that repressed mood. They have actually some of the exact same shapes that the world that live in Glinda’s people carry out, but they’re more conservative in eextremely method. The human being that live in Glinda’s human being are all in pale pastels, earth tones, cream colors. Even their shoes and also hats.”

As for the Winkies, “They are the guards at the palace in Emerald City,” Jones explains. “They job-related for Evanora, one of the evil civilization in our movie. Their military-styled costumes were motivated by Russian and Prussian unicreates.

“All the Winkie outfits were made for human being that are six-foot-nine or taller,” Jones adds. “So, we had actually an army of 50 civilization that were roughly seven-feet tall. And, if seven-feet tall was not enough, Sam wanted us to improve these soldiers by adding approximately an additional 18 to 20 inches in elevation via feathered hats. They’re also Prussian in feeling and also were made from felt, wool and also babsence, iridescent feathers.”


With imagination and creativity, Gary Jones and also Michael Kutsche developed the costumes for “Oz The Great and Powerful” via each individual character in mind, whether they were main personalities or extras. Tbelow is no replica of the look of one character to another. This attention to detail additionally flowed down to makeup and also hair architecture wright here the teams operated carefully with the costumers to capture the unique look of each character.

When audiences watch “Oz The Great and also Powerful” they might not alert the smallest costuming details, or the seamlessness with which the characters fit in their surroundings or the reality that character looks aren’t duplicated, however they will feel that the Land of Oz is a living, breathing location that as fantastical as it appears, someexactly how feels as though it may exist. And Jones and Kutsche’s costumes play an excellent component in delivering that feeling.


Disney’s fantastical adendeavor “Oz The Great and Powerful,” directed by Sam Raimi, imagines the beginnings of L. Frank Baum’s beloved wizard character. When Osauto Diggs (James Franco), a small-time circus magician via dubious principles, is hurled ameans from dusty Kansregarding the vivid Land also of Oz, he thinks he’s hit the jackpot—fame and also fortune are his for the taking—that is till he meets three witches, Theodora (Mila Kunis), Evanora (Rachel Weisz) and also Glinda (Michelle Williams), that are not convinced he is the good wizard everyone’s been expecting.

Reluctantly attracted right into the epic difficulties dealing with the Land of Oz and also its residents, Oscar have to find out that is excellent and that is evil prior to it is as well late. Putting his magical arts to usage with illusion, ingenuity—and also also a little of wizardry—Osautomobile transcreates himself not only into the good wizard however right into a far better guy as well.

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“Oz The Great and Powerful” is developed by Joe Roth, with display story by Mitchell Kapner and also screenplay by Mitchell Kapner and David Lindsay-Abaire. Grant Curtis, Palak Patel, Josh Donen and Philip Steuer are serving as executive producers. “Oz The Great and also Powerful” releases on Blu-ray Combo Pack on June 11, 2013.