An exhibition at New York"s Fashion Institute of Technology spans 250 years of garment background to show exactly how developers play via brand-new innovations to develop adventurous styles.

You are watching: Some fashion designers use this type of technology to produce clothing.



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NEW YORK -- Fashion and also innovation certainly go hand in hand, and not simply bereason the 2 words virtually rhyme. By interpretation, fashion is about newness and also timeliness, 2 attributes that also tfinish to define innovative assets in general. Often, advancements in manufacturing, textile manufacturing -- or even computer -- have influenced just how designers develop and market their garments.

An exhibition at the Fashion Institute of Technology (FIT) in Manhattan, bluntly titled "Fashion and Technology," serves to make this suggest incredibly clear. It"s a tiny however engaging show that spans 250 years using 100 objects from FIT"s considerable archives, and is on check out with May 8 at FIT"s Fashion and Textile History Gallery.

If you"re familiar through runmeans fads of the late 20th and also beforehand 21st centuries, the present attributes the innovative designers you"d intend to see had.

The late, great Alexander McQueen is stood for, through a video of his iconic 1999 catwalk presentation that featured robots spewing paint on the superdesign Shalom Harlow. Miuccia Prada, is also, by some vibrant computer system animations offered in a marketing campaign for her eponymous Prada label. So is Hussein Chalayan, known for his dramatic, sculpture-choose silhouettes.

There are lesser-known designers represented, some that even work-related far from the human being of fashion.

For circumstances, the show presents a very early example of 3D-published clothes and accessories dating to 2005 (photo above), designed by Freedom of Creation, which is an Amsterdam-based product design company. On see is a slinky plastic dress and a purse that resembles chain mail. That it dates back eight years illustprices how fashion have the right to frequently be ahead of the innovation curve: just now, in 2013, is 3D printing really reaching mainstream consciousness.


BEYOND DECORATIVE

The trfinish of fashion serving as a critical arena for invention isn"t brand-new, either, as the present makes clear.

The curators existing a broad array of examples of garments designers" experiments through brand-new materials and production approaches in the 19th century. These encompass a hair ornament from 1887 that was made from among the initially artificial plastics, celluloid, however resembles tortoise shell.

And of course the curators have contained a very early sewing machine from 1882, which obviously accelerated the moment essential to assemble apparel previously stitched by hand.

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The display screen texts remind viewers just just how effective fashion development deserve to be on a very huge scale. In other words, designers" breakthroughs ultimately prove that in many kind of ways, they execute not just serve the elite.

For instance, once clothing designers first included zippers in 1913, they decreased the time it took many civilization to dress in the morning. No much longer did they have to waste minutes buttoning butloads on trousers or dresses. Or take into consideration Norma Kamali"s chic adaptation of puffy down jackets in 1977, turning the outdoorsy garment into an extra wearable and heat winter staple for non-jocks. It paved the method for mass-sector versions later. The examples go on and also on, making the situation that fashion, when it incorporates the usage of brand-new machinery and product developments, is not simply decorative. It have the right to actually enhance people"s stays.

INNOVATION THAT REFLECTS CULTURE

That"s particularly true as soon as one considers what I consider a parallel timeline, or underlying theme, to this exhibition: tracing exactly how women"s resides have adjusted in the last two and also a half centuries. To be particular, just how they have readjusted in the United States, Europe, and also other so-dubbed occurred economies within the last two centuries -- and also exactly how fashion has actually developed to reflect new "freedoms."

For instance, a bicycle ensemble from 1888 attributes what looks prefer a formal skirt, however is actually a set of extremely wide trouser legs, allowing woguys to get out into the world and also ride a bike conveniently. Or a girdle from 1915, made via a type of rubber thread new to that era, which permitted for much even more comfort than a traditional corset. Or also a beautiful digital "clutch," actually a small lapoptimal that"s basic to fit in a handbag, designed by Vivienne Tam in 2007 for COMPUTER maker Hewlett-Packard.

All of these examples highlight exactly how fashion designers have addressed women"s demands as they came to be more energetic external of the residence, in society and ultimately in the workarea.

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The examples of fashion meeting innovation from the late 2000s and at an early stage 2010s presented here rightly illustrate brand-new uses of holograms and wearable computing.

For circumstances, a video clip of a 2011 Burberry runmeans present, featuring spectacular holographic imeras that made it seem as if models instantly changed clothes, is striking to watch. And the curators" surprising inclusion of the Arduino Lily Pad micro-controller board (above), which can be sewn into e-textiles, is extremely smart. This tool allows developers to routine clothes to carry out such things as play music or monitor the wearer"s heartbeat. Both of these examples display that exploring through brand-new technology never goes out of style.

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Still, tbelow are some purely beautiful clothing on watch here that convey what I think is the strongest point of the exhibition.

There"s the gloriously beaded dress from 1924, which is just as eye-recording as another Art Deco-era masterpiece: the Chrysler Building in Manhattan. Tbelow are geometric, neon-hued dresses from Pierre Cardin (above), designed in the psychedelic 1960s. There are intricately pleated dresses through bizarre silhouettes prefer no other by Issey Miyake from the late 1990s.

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These examples present us that maybe the the majority of exciting innovations to come from fashion developers are those that marry adventurous aesthetics and cultural fads, and also which simply make use of new technologies to supply them.