Tyler Joseph and Josh Dun of Twenty One Pilots took the stage at the Staples Center as a part of their “The Bandito Tour” on Friday night. Emerging in a black ski mask, Joseph ultimately revealed his confront in the time of the band’s performance of “Heavydirtysoul.” (Amy Dixon/Daily Bruin senior staff)

To begin their present, Tyler Joseph and Josh Dun emerged as silhouettes on peak of an old automobile. Dun eventually stepped dvery own from the vehicle, leading audiences into the world of “Trench” via a lit torch as they transitioned into their first song. (Amy Dixon/Daily Bdestroy senior staff)

Starting off via a fast-paced blur, Joseph’s fast-talk rapping in “Levitate” and “Heavydirtysoul” resulted in fear that the display would certainly pass by in the exact same rate. But with the development of the last song, and also Joseph’s much-anticipated removal of his mask, it was clear the duo was not going to be rushing via their journey out of Dema – a fictional priboy referenced throughout their latest LP – and also into the safety and security of Trench.

You are watching: Why do twenty one pilots wear ski masks

Concert review: Panic! at the Disco melds theatrics with sentiment in indelible live show>

One of the many endearing components of a Twenty One Pilots present is the clear and actual love for their very devoted fanbase, the “Skeleton Clique.” As the start of “The Hype” faded in over the speakers, Jumbotron display screens played video footage of fans that had lined up outside the venue early on before the display. Highlighting the clique members’ fan art, the tender moment tied in the storylines of “Trench” in the time of which the presence of fans and family help Joseph and also Dun escape the walls of Dema.

Mimicking the lines of the song, “Nice to know my sort will be on my side/ I don’t believe the hype,” Joseph additionally emphasized the inclusive message. He opened up about his love for the audience, ensuring eextremely audience member kbrand-new just how vital they were by additionally claiming “You are all my kind” as the song came to a close.

Almost as if guiding the audience via the psychological chaos of escaping Dema, one more voice echoed “Why do I kneel to these concepts? Tempted by regulate, managed by temptations. Stay low, they say, continue to be low” in the darkness in between songs. But the show never before got shed in the perhaps significant lyrical tones that ran throughout it. After the contemplative spoken word shift, Joseph appeared in the stage’s blue light with a fldental cardigan draped over his face to playfully sing “Lane Boy” from their 2015 release “Blurryface.”

Throughout the song, the punchy power of Dun’s drumming was highlighted as he and his drum kit were elevated by the platcreate they stood on. Joseph playtotally ran throughout the stage and also the audience jumped in unikid at his command also as they steamrolled via the song followed by “Stressed Out” and also “Heathens.”

Throughout the night, the talents of Twenty One Pilots drummer Josh Dun were highlighted as he and also his drum kit sat upon a platform that would raise them both into the air over the stage. (Amy Dixon/Daily Bruin senior staff)

Continuing to pull from their “Trench” discography, the band also played “Nico And The Niners.” The displays behind them projected a yellow background with the signature babsence vulture from the album’s cover dramatically flapping its wings. At the finish of the song, Joseph asked those on the floor to break-up in half, creating an aisle for him to walk dvery own, as he ongoing the song on the B stage at the other side of the venue.

Q&A: Waterparks’ Awsten Knight talks visual and also musical conception behind latest album>

Once he arrived, Joseph took a minute to lament the pressures of a fast-relocating show. In an attempt to slow it dvery own, he common a memory through Dun about their first phelp gig. Playing a piano Joseph said he’d had since that initial show, the two were enveloped by hanging yellow and also white light stalactites while they sang the tour’s titular track “Bandito.”

The song reached its bridge and also the made-up language of Trench eerily echoed from the voices of thousands singing along with Joseph. He joined in with the crowd as everyone united to sing, “I created this human being to feel some control/ damage it if I want/ So I sing Sahlo Folina, Sahlo Folina.” The latter lyrics, as he formerly declared, act as a cry for assist among those in require.

After, the band also went back to the major phase to perdevelop “Pet Cheetah,” helped by blasts of smoke and firefunctions. The duo ongoing to drift with deeper cuts from their discography such as “Fall Away” from their initially album and “Truce” from their sophoeven more release “Vessel.” An crucial of the track played as Joseph and also Dun left the stage, the crowd uniting to sing the lyrics that were projected on the display screen – the whole group making a pact to “continue to be alive” with hardship.

See more: Slang Origins: Why Is It Called Tossing The Salad ? Where Does The Term Tossing Salad Come From

For their signature closer “Trees,” Dun and also Joseph climbed into the crowd. The whole venue flooded in white light and also confetti as the two were literally hosted up by their fans on platforms to play drums together.

And via final looks at the crowd, Twenty One Pilots climbed from the mass of fans. Joseph and also Dun took a conclusionary bow and left with one final note for the crowd: “We are Twenty One Pilots, and so are you.”